In January of 1842, Ralph Waldo Emerson’s firstborn child, Waldo, contracted scarlet fever and died within a week. He was five. He had been his father’s exuberant companion, who had, Emerson wrote, “touched with his lively curiosity every trivial fact & circumstance in the household.” Henry David Thoreau, who had lodged with the Emersons, “charmed Waldo by the variety of toys whistles boats popguns & all kinds of instruments which he could make & mend.” The death was a shock to the entire village of Concord, Massachusetts. When the nine-year-old Louisa May Alcott came to the Emersons’ door to ask about Waldo, she was greeted, she wrote, by an Emerson “worn with watching and changed by sorrow.” All he said was “Child, he is dead.” Alcott called it her “first glimpse of a great grief.”
But the grief did not feel real, or real enough, to Emerson. “I chiefly grieve that I cannot grieve,” he wrote in a letter the following week. The loss of Waldo spurred an essay, “Experience,” that contains one of the most startling passages in American literature:
The only thing grief has taught me, is to know how shallow it is. That, like all the rest, plays about the surface, and never introduces me into the reality, for contact with which, we would even pay the costly price of sons and lovers. Was it Boscovich who found out that bodies never come in contact? Well, souls never touch their objects. An innavigable sea washes with silent waves between us and the things we aim at and converse with. Grief too will make us idealists. In the death of my son, now more than two years ago, I seem to have lost a beautiful estate,—no more. I cannot get it nearer to me. If tomorrow I should be informed of the bankruptcy of my principal debtors, the loss of my property would be a great inconvenience to me, perhaps, for many years; but it would leave me as it found me,—neither better nor worse. So is it with this calamity: it does not touch me: some thing which I fancied was a part of me, which could not be torn away without tearing me, nor enlarged without enriching me, falls off from me, and leaves no scar. It was caducous. I grieve that grief can teach me nothing, nor carry me one step into real nature.
This seems nearly callous, but that’s the point. Emerson had suffered tragic deaths before, and, partly as a result, had developed a theory of spiritual profit and loss: surely the greatest costs led to the richest benefits? When “a great man,” he wrote in “Compensation,” an earlier essay, is “pushed, tormented, defeated, he has a chance to learn something; he has been put on his wits, on his manhood; he has gained facts; learns his ignorance; is cured of the insanity of conceit; has got moderation and real skill.” But Waldo’s death was so profound that it went uncompensated, even by grief. It taught Emerson “nothing”; it was almost as though his son had never existed. Unluckily, swiftly, even happily, life goes on, only mildly “inconvenienced” by the most devastating loss imaginable.
“Experience” has a knife’s-edge, emergency intensity that is nowhere to be found in Emerson’s poems, collected in “Ralph Waldo Emerson: The Major Poetry” (Harvard), edited by Albert J. von Frank. Prose was a zone of fruitful conflict for Emerson, who began his public life writing sermons. He entered Harvard Divinity School in 1825, at the age of twenty-one, to prepare for a career in the Unitarian ministry. Soon he was struck by a painful eye disease, likely caused by tuberculosis, and submitted to two cataract operations. According to Robert D. Richardson’s “Emerson: The Mind on Fire,” Emerson’s reading in Hume, and his knowledge of the “brilliantly clever arguments of Cicero,” began to erode his faith. His days were “slipping past him, one by one, in an irrevocable procession,” Richardson writes. He knew that the “proper emotion” wasn’t humility or even skepticism but “wonder.”
Emerson’s essays are like wonder handbooks: they tell you where to find it, how to use it, what to do when it fails you. “Nature,” “The Poet,” “Self-Reliance,” “Circles,” “Experience”: you can use these essays to become enchanted; many dejected secular people have gone to them regularly to see the world in renewed and refreshed terms of beauty. They outfit you for a walk in the woods or an ordinary morning. They are modular: you can remember bits of one, bits of another, mess up the order, mix and match. Their authority comes not from the Church or the ministry but from the power of their prose. Emerson must have realized that half of the people in church were there to hear language electrified by the preacher; his essays are, as Harold Bloom put it, “interior oratory,” free-range sermons that make their own occasions.
Emerson also wrote a poem about Waldo, “Threnody.” It is often quite beautiful, but it is dressed almost entirely in period costume. The period was the eighteen-forties, and the costume was woodsy, “native,” and politely anti-European. Henry Wadsworth Longfellow, who returned from Europe to teach modern languages at Harvard, was considered a boldly American poet: he wrote epics about Miles Standish and the expulsion of the Acadians from Nova Scotia. To Emerson’s contemporaries, experimentation in poetry meant writing about “the bobolink and the humble-bee” rather than the English nightingale and the skylark, which, as Thomas Wentworth Higginson, Emily Dickinson’s correspondent and early advocate, wrote, Americans “might never have seen or heard anywhere.”
By these standards, “Threnody,” with its tableaux of American village life, is a masterpiece. Instead of nymphs and dryads, here are the rudiments of New England hill, garden, and scrub forest:
On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In birdlike heavings unto death,
Night came, and Nature had not thee;
I said, ‘We are mates in misery.’
The morrow dawned with needless glow;
Each snowbird chirped, each fowl must crow;
Each tramper started; but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still.
This is one of the first inventories in verse of a distinctly New England winter, its “needless glow” awakening the tinny chirps of native snowbirds. Those unforgettable “birdlike heavings” of the child’s final breaths puncture a frigid silence known to anybody from Emerson’s neck of the woods. The image is borrowed from his journals, roused to this new formal occasion yet maintaining its fringe of untransformed anguish. But the poem quickly stifles its desperation in the prescribed comforts of noble sentiment and regular music.
The listlessness of Emerson’s poetry is surprising, given the veneration he expressed for the art. Some of his best prose is devoted to lobbying for the special advantages of poetry. These works are thrilling because they are written in thrilling sentences. This does not necessarily imply that Emerson’s poetry will be thrilling, though he must have intended his large claims for poetry to be tested on his own work. Like many of his essays, “The Poet” was printed with an original short lyric as its epigraph. The mediocrity of these poem-epigraphs is often emphasized by the essays’ attempts to honor them as superior forms of expression. It makes for a strangely rigged contest between turbocharged prose and the rickshaw verse it ostensibly reveres. Emerson’s “poet”—a “complete man,” a “man without impediment,” a “sayer” and “namer,” like Adam—would not have printed the lacklustre verses appended to “The Poet,” which venerate “Olympian bards” and “divine ideas” with rhymes as bouncy as a Super Ball.
In “Merlin I,” written, like “The Poet,” in the eighteen-forties, Emerson plays the unwinnable game of arguing in metre against metre and in rhyme against rhyme:
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader’s art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
Emerson kept an Aeolian harp in a window of his house. He intended to build in verse its equivalent, an instrument that nature could play. But the instrument itself was old-fashioned, gaudy, and domestic.
Emerson’s ideas were obviously badly served by the rickety verse structures he built for them. Seeing them strain and buckle under the weight of his mind and ambition led him, in “The Poet,” to call not only for a new kind of poem, which, at least in theory, he could have written, but for a wholly new kind of person, a person he wasn’t and didn’t want to become. His best poems—“Each and All,” “Brahma,” “The Rhodora,” “The Snow-Storm”—are refinements of oratory to the special rhetorical technologies of poetry. But his quicksilver prose was poetry, its sentences like signal flares launched one after another into the ether. What he says about the poet is truer of those astonishing prose performances:
For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing. The thought and the form are equal in the order of time, but in the order of genesis the thought is prior to the form. The poet has a new thought: he has a whole new experience to unfold; he will tell us how it was with him, and all men will be the richer in his fortune. For, the experience of each new age requires a new confession, and the world seems always waiting for its poet.
This passage, like so many in his great essays, describes itself, its own idiosyncratic “architecture.” This is what Emerson meant when he called for a literature of “insight and not of tradition.” Each sentence is an innovation, “a new thing.” Emerson didn’t want to write poems about the New World. He wanted poems to make the world new. It is fascinating, therefore, to see how he arranged for his own swift obsolescence. His poems sometimes feel intentionally slight, as though making way for the accelerating future, still at his back but quickly gaining on him. His prose was poetry by other means, calling for its own mirror image, a poetry whose “argument” trumped its forms.
Emerson was not the poet he had in mind in “The Poet.” In 1840, Alexis de Tocqueville had prophesied an American poetry free of “legendary lays,” “old traditions,” “supernatural beings,” masks, and personifications. Americans led “petty” and “insipid” lives, “crowded with paltry interests”: their lives were “anti-poetic.” The only subject possible for an American poet was humankind; luckily, as Tocqueville wrote, “the poet needs no more.” Emerson, who spent most of his life cultivating the aura of an elder, called for “a brood of Titans” who would “run up the mountains of the West with the errand of genius and love.”
In July of 1855, Emerson got the poet he’d been calling for. He picked up a parcel from the Concord post office which contained the first edition of “Leaves of Grass,” sent anonymously from Brooklyn by its author. The book was unsigned, though there was a frontispiece portrait, the name “Walter Whitman” on the copyright page, and, inside, the jubilant line “Walt Whitman, an American, one of the roughs, a kosmos. ” After a little hunting, Emerson found Whitman’s name and the address of his distributor in a newspaper advertisement. He then wrote his famous letter to Whitman, welcoming him to immortality: “I greet you at the beginning of a great career, which yet must have had a long foreground somewhere for such a start.”
In response, Whitman published the letter in the book’s next edition, along with twenty new poems and his own open letter to Emerson of several thousand words celebrating “that vast basis of the supremacy of Individuality—that new moral American continent” whose “shores you found”:
I say you have led The States there—have led Me there. I say that none has ever done, or ever can do, a greater deed for The States, than your deed. Others may line out the lines, build cities, work mines, break up farms; it is yours to have been the original true Captain who put to sea, intuitive, positive, rendering the first report, to be told less by any report, and more by the mariners of a thousand bays, in each tack of their arriving and departing, many years after you.
Whitman was a fact of American life from that moment forward. It took a little longer for an equally important disciple to surface: Emily Dickinson, who treasured an edition of Emerson’s poems given to her by an admirer, and whose brother and sister-in-law, Austin and Susan Dickinson, had hosted Emerson many times at their handsome house, the Evergreens, just across the field from her home. Of course, Dickinson’s poems sound nothing like Emerson’s. He provided, for the wild synaptic activity of his protégés, the framework. He was their server. If Emerson’s poems had been just a little better than they were, we might not have American literature as we know it. Our greatest writers, seeing their own visions usurped, might have been content to remain his readers. ♦
For the theologian, see Ralph Emerson (theologian). For the botanist, see Ralph Emerson (botanist).
|Ralph Waldo Emerson|
Emerson in 1857
|Born||(1803-05-25)May 25, 1803|
Boston, Massachusetts, U.S.
|Died||April 27, 1882(1882-04-27) (aged 78)|
Concord, Massachusetts, U.S.
|Alma mater||Harvard Divinity School|
|Spouse(s)||Ellen Louisa Tucker (m. 1829; d. 1832)|
Lydian Jackson (m. 1835)
|"Build a better mousetrap, and the world will beat a path to your door", transparent eyeball|
Ralph Waldo Emerson (May 25, 1803 – April 27, 1882) was an American essayist, lecturer, philosopher and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States.
Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay "Nature". Following this work, he gave a speech entitled "The American Scholar" in 1837, which Oliver Wendell Holmes Sr. considered to be America's "intellectual Declaration of Independence".
Emerson wrote most of his important essays as lectures first and then revised them for print. His first two collections of essays, Essays: First Series (1841) and Essays: Second Series (1844), represent the core of his thinking. They include the well-known essays "Self-Reliance", "The Over-Soul", "Circles", "The Poet" and "Experience". Together with "Nature", these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period.
Emerson wrote on a number of subjects, never espousing fixed philosophical tenets, but developing certain ideas such as individuality, freedom, the ability for mankind to realize almost anything, and the relationship between the soul and the surrounding world. Emerson's "nature" was more philosophical than naturalistic: "Philosophically considered, the universe is composed of Nature and the Soul". Emerson is one of several figures who "took a more pantheist or pandeist approach by rejecting views of God as separate from the world."
He remains among the linchpins of the American romantic movement, and his work has greatly influenced the thinkers, writers and poets that followed him. When asked to sum up his work, he said his central doctrine was "the infinitude of the private man." Emerson is also well known as a mentor and friend of Henry David Thoreau, a fellow transcendentalist.
Early life, family, and education
Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children—Phebe, John Clarke, and Mary Caroline—died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period.
Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother, with the help of the other women in the family; his aunt Mary Moody Emerson in particular had a profound effect on him. She lived with the family off and on and maintained a constant correspondence with Emerson until her death in 1863.
Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine. In October 1817, at 14, Emerson went to Harvard College and was appointed freshman messenger for the president, requiring Emerson to fetch delinquent students and send messages to faculty. Midway through his junior year, Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called "Wide World". He took outside jobs to cover his school expenses, including as a waiter for the Junior Commons and as an occasional teacher working with his uncle Samuel and aunt Sarah Ripley in Waltham, Massachusetts. By his senior year, Emerson decided to go by his middle name, Waldo. Emerson served as Class Poet; as was custom, he presented an original poem on Harvard's Class Day, a month before his official graduation on August 29, 1821, when he was 18. He did not stand out as a student and graduated in the exact middle of his class of 59 people.
In 1826, faced with poor health, Emerson went to seek a warmer climate. He first went to Charleston, South Carolina, but found the weather was still too cold. He then went further south, to St. Augustine, Florida, where he took long walks on the beach and began writing poetry. While in St. Augustine he made the acquaintance of Prince Achille Murat, the nephew of Napoleon Bonaparte. Murat was two years his senior; they became good friends and enjoyed one another's company. The two engaged in enlightening discussions of religion, society, philosophy, and government. Emerson considered Murat an important figure in his intellectual education.
While in St. Augustine, Emerson had his first encounter with slavery. At one point, he attended a meeting of the Bible Society while a slave auction was taking place in the yard outside. He wrote, "One ear therefore heard the glad tidings of great joy, whilst the other was regaled with 'Going, gentlemen, going!'"
After Harvard, Emerson assisted his brother William in a school for young women established in their mother's house, after he had established his own school in Chelmsford, Massachusetts; when his brother William went to Göttingen to study divinity, Emerson took charge of the school. Over the next several years, Emerson made his living as a schoolmaster. He then went to Harvard Divinity School, and was inducted into Phi Beta Kappa in 1828. Emerson's brother Edward, two years younger than he, entered the office of the lawyer Daniel Webster, after graduating from Harvard first in his class. Edward's physical health began to deteriorate, and he soon suffered a mental collapse as well; he was taken to McLean Asylum in June 1828 at age 23. Although he recovered his mental equilibrium, he died in 1834, apparently from long-standing tuberculosis. Another of Emerson's bright and promising younger brothers, Charles, born in 1808, died in 1836, also of tuberculosis, making him the third young person in Emerson's innermost circle to die in a period of a few years.
Emerson met his first wife, Ellen Louisa Tucker, in Concord, New Hampshire, on Christmas Day, 1827, and married her when she was 18. The couple moved to Boston, with Emerson's mother, Ruth, moving with them to help take care of Ellen, who was already ill with tuberculosis. Less than two years later, on February 8, 1831, Ellen died, at the age of 20, after uttering her last words: "I have not forgotten the peace and joy". Emerson was heavily affected by her death and visited her grave in Roxbury daily. In a journal entry dated March 29, 1832, he wrote, "I visited Ellen's tomb & opened the coffin".
Boston's Second Church invited Emerson to serve as its junior pastor, and he was ordained on January 11, 1829. His initial salary was $1,200 a year, increasing to $1,400 in July, but with his church role he took on other responsibilities: he was the chaplain of the Massachusetts legislature and a member of the Boston school committee. His church activities kept him busy, though during this period, facing the imminent death of his wife, he began to doubt his own beliefs.
After his wife's death, he began to disagree with the church's methods, writing in his journal in June 1832, "I have sometimes thought that, in order to be a good minister, it was necessary to leave the ministry. The profession is antiquated. In an altered age, we worship in the dead forms of our forefathers". His disagreements with church officials over the administration of the Communion service and misgivings about public prayer eventually led to his resignation in 1832. As he wrote, "This mode of commemorating Christ is not suitable to me. That is reason enough why I should abandon it". As one Emerson scholar has pointed out, "Doffing the decent black of the pastor, he was free to choose the gown of the lecturer and teacher, of the thinker not confined within the limits of an institution or a tradition".
Emerson toured Europe in 1833 and later wrote of his travels in English Traits (1856). He left aboard the brig Jasper on Christmas Day, 1832, sailing first to Malta. During his European trip, he spent several months in Italy, visiting Rome, Florence and Venice, among other cities. When in Rome, he met with John Stuart Mill, who gave him a letter of recommendation to meet Thomas Carlyle. He went to Switzerland, and had to be dragged by fellow passengers to visit Voltaire's home in Ferney, "protesting all the way upon the unworthiness of his memory". He then went on to Paris, a "loud modern New York of a place", where he visited the Jardin des Plantes. He was greatly moved by the organization of plants according to Jussieu's system of classification, and the way all such objects were related and connected. As Robert D. Richardson says, "Emerson's moment of insight into the interconnectedness of things in the Jardin des Plantes was a moment of almost visionary intensity that pointed him away from theology and toward science".
Moving north to England, Emerson met William Wordsworth, Samuel Taylor Coleridge, and Thomas Carlyle. Carlyle in particular was a strong influence on him; Emerson would later serve as an unofficial literary agent in the United States for Carlyle, and in March 1835, he tried to persuade Carlyle to come to America to lecture. The two maintained a correspondence until Carlyle's death in 1881.
Emerson returned to the United States on October 9, 1833, and lived with his mother in Newton, Massachusetts. In October 1834, he moved to Concord, Massachusetts to live with his step-grandfather, Dr. Ezra Ripley, at what was later named The Old Manse. Seeing the budding Lyceum movement, which provided lectures on all sorts of topics, Emerson saw a possible career as a lecturer. On November 5, 1833, he made the first of what would eventually be some 1,500 lectures, "The Uses of Natural History", in Boston. This was an expanded account of his experience in Paris. In this lecture, he set out some of his important beliefs and the ideas he would later develop in his first published essay, "Nature":
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language, not that I may know a new grammar, but that I may read the great book that is written in that tongue.
On January 24, 1835, Emerson wrote a letter to Lydia Jackson proposing marriage. Her acceptance reached him by mail on the 28th. In July 1835, he bought a house on the Cambridge and Concord Turnpike in Concord, Massachusetts, which he named Bush; it is now open to the public as the Ralph Waldo Emerson House. Emerson quickly became one of the leading citizens in the town. He gave a lecture to commemorate the 200th anniversary of the town of Concord on September 12, 1835. Two days later, he married Lydia Jackson in her home town of Plymouth, Massachusetts, and moved to the new home in Concord together with Emerson's mother on September 15.
Emerson quickly changed his wife's name to Lidian, and would call her Queenie, and sometimes Asia, and she called him Mr. Emerson. Their children were Waldo, Ellen, Edith, and Edward Waldo Emerson. Edward Waldo Emerson was the father of Raymond Emerson. Ellen was named for his first wife, at Lidian's suggestion.
Emerson was poor when he was at Harvard, but was later able to support his family for much of his life. He inherited a fair amount of money after his first wife's death, though he had to file a lawsuit against the Tucker family in 1836 to get it. He received $11,600 in May 1834, and a further $11,674.49 in July 1837. In 1834, he considered that he had an income of $1,200 a year from the initial payment of the estate, equivalent to what he had earned as a pastor.
Literary career and transcendentalism
On September 8, 1836, the day before the publication of Nature, Emerson met with Frederic Henry Hedge, George Putnam and George Ripley to plan periodic gatherings of other like-minded intellectuals. This was the beginning of the Transcendental Club, which served as a center for the movement. Its first official meeting was held on September 19, 1836. On September 1, 1837, women attended a meeting of the Transcendental Club for the first time. Emerson invited Margaret Fuller, Elizabeth Hoar and Sarah Ripley for dinner at his home before the meeting to ensure that they would be present for the evening get-together. Fuller would prove to be an important figure in transcendentalism.
Emerson anonymously published his first essay, "Nature", on September 9, 1836. A year later, on August 31, 1837, he delivered his now-famous Phi Beta Kappa address, "The American Scholar", then entitled "An Oration, Delivered before the Phi Beta Kappa Society at Cambridge"; it was renamed for a collection of essays (which included the first general publication of "Nature") in 1849. Friends urged him to publish the talk, and he did so, at his own expense, in an edition of 500 copies, which sold out in a month. In the speech, Emerson declared literary independence in the United States and urged Americans to create a writing style all their own and free from Europe.James Russell Lowell, who was a student at Harvard at the time, called it "an event without former parallel on our literary annals". Another member of the audience, Reverend John Pierce, called it "an apparently incoherent and unintelligible address".
In 1837, Emerson befriended Henry David Thoreau. Though they had likely met as early as 1835, in the fall of 1837, Emerson asked Thoreau, "Do you keep a journal?" The question went on to be a lifelong inspiration for Thoreau. Emerson's own journal was published in 16 large volumes, in the definitive Harvard University Press edition issued between 1960 and 1982. Some scholars consider the journal to be Emerson's key literary work.
In March 1837, Emerson gave a series of lectures on the philosophy of history at the Masonic Temple in Boston. This was the first time he managed a lecture series on his own, and it was the beginning of his career as a lecturer. The profits from this series of lectures were much larger than when he was paid by an organization to talk, and he continued to manage his own lectures often throughout his lifetime. He eventually gave as many as 80 lectures a year, traveling across the northern United States as far as St. Louis, Des Moines, Minneapolis, and California.
On July 15, 1838, Emerson was invited to Divinity Hall, Harvard Divinity School, to deliver the school's graduation address, which came to be known as the "Divinity School Address". Emerson discounted biblical miracles and proclaimed that, while Jesus was a great man, he was not God: historical Christianity, he said, had turned Jesus into a "demigod, as the Orientals or the Greeks would describe Osiris or Apollo". His comments outraged the establishment and the general Protestant community. He was denounced as an atheist and a poisoner of young men's minds. Despite the roar of critics, he made no reply, leaving others to put forward a defense. He was not invited back to speak at Harvard for another thirty years.
The transcendental group began to publish its flagship journal, The Dial, in July 1840. They planned the journal as early as October 1839, but work did not begin until the first week of 1840. George Ripley was the managing editor. Margaret Fuller was the first editor, having been approached by Emerson after several others had declined the role. Fuller stayed on for about two years, when Emerson took over, utilizing the journal to promote talented young writers including Ellery Channing and Thoreau.
In 1841 Emerson published Essays, his second book, which included the famous essay "Self-Reliance". His aunt called it a "strange medley of atheism and false independence", but it gained favorable reviews in London and Paris. This book, and its popular reception, more than any of Emerson's contributions to date laid the groundwork for his international fame.
In January 1842 Emerson's first son, Waldo, died of scarlet fever. Emerson wrote of his grief in the poem "Threnody" ("For this losing is true dying"), and the essay "Experience". In the same month, William James was born, and Emerson agreed to be his godfather.
Bronson Alcott announced his plans in November 1842 to find "a farm of a hundred acres in excellent condition with good buildings, a good orchard and grounds".Charles Lane purchased a 90-acre (360,000 m2) farm in Harvard, Massachusetts, in May 1843 for what would become Fruitlands, a community based on Utopian ideals inspired in part by transcendentalism. The farm would run based on a communal effort, using no animals for labor; its participants would eat no meat and use no wool or leather. Emerson said he felt "sad at heart" for not engaging in the experiment himself. Even so, he did not feel Fruitlands would be a success. "Their whole doctrine is spiritual", he wrote, "but they always end with saying, Give us much land and money". Even Alcott admitted he was not prepared for the difficulty in operating Fruitlands. "None of us were prepared to actualize practically the ideal life of which we dreamed. So we fell apart", he wrote. After its failure, Emerson helped buy a farm for Alcott's family in Concord which Alcott named "Hillside".
The Dial ceased publication in April 1844; Horace Greeley reported it as an end to the "most original and thoughtful periodical ever published in this country". (An unrelated magazine of the same name was published during several periods through 1929.)
In 1844, Emerson published his second collection of essays, Essays: Second Series. This collection included "The Poet", "Experience", "Gifts", and an essay entitled "Nature", a different work from the 1836 essay of the same name.
Emerson made a living as a popular lecturer in New England and much of the rest of the country. He had begun lecturing in 1833; by the 1850s he was giving as many as 80 lectures per year. He addressed the Boston Society for the Diffusion of Useful Knowledge and the Gloucester Lyceum, among others. Emerson spoke on a wide variety of subjects, and many of his essays grew out of his lectures. He charged between $10 and $50 for each appearance, bringing him as much as $2,000 in a typical winter lecture season. This was more than his earnings from other sources. In some years, he earned as much as $900 for a series of six lectures, and in another, for a winter series of talks in Boston, he netted $1,600. He eventually gave some 1,500 lectures in his lifetime. His earnings allowed him to expand his property, buying 11 acres (45,000 m2) of land by Walden Pond and a few more acres in a neighboring pine grove. He wrote that he was "landlord and waterlord of 14 acres, more or less".
Emerson was introduced to Indian philosophy through the works of the French philosopher Victor Cousin. In 1845, Emerson's journals show he was reading the Bhagavad Gita and Henry Thomas Colebrooke's Essays on the Vedas. He was strongly influenced by Vedanta, and much of his writing has strong shades of nondualism. One of the clearest examples of this can be found in his essay "The Over-soul":
We live in succession, in division, in parts, in particles. Meantime within man is the soul of the whole; the wise silence; the universal beauty, to which every part and particle is equally related, the eternal ONE. And this deep power in which we exist and whose beatitude is all accessible to us, is not only self-sufficing and perfect in every hour, but the act of seeing and the thing seen, the seer and the spectacle, the subject and the object, are one. We see the world piece by piece, as the sun, the moon, the animal, the tree; but the whole, of which these are shining parts, is the soul.
In 1847-48, he toured the British Isles. He also visited Paris between the French Revolution of 1848 and the bloody June Days. When he arrived, he saw the stumps of trees that had been cut down to form barricades in the February riots. On May 21, he stood on the Champ de Mars in the midst of mass celebrations for concord, peace and labor. He wrote in his journal, "At the end of the year we shall take account, & see if the Revolution was worth the trees." The trip left an important imprint on Emerson's later work. His 1856 book English Traits is based largely on observations recorded in his travel journals and notebooks. Emerson later came to see the American Civil War as a "revolution" that shared common ground with the European revolutions of 1848.
In a speech in Concord, Massachusetts on May 3, 1851, Emerson denounced the Fugitive Slave Act:
The act of Congress is a law which every one of you will break on the earliest occasion--a law which no man can obey, or abet the obeying, without loss of self-respect and forfeiture of the name of gentleman.
That summer, he wrote in his diary:
This filthy enactment was made in the nineteenth century by people who could read and write. I will not obey it.
In February 1852 Emerson and James Freeman Clarke and William Henry Channing edited an edition of the works and letters of Margaret Fuller, who had died in 1850. Within a week of her death, her New York editor, Horace Greeley, suggested to Emerson that a biography of Fuller, to be called Margaret and Her Friends, be prepared quickly "before the interest excited by her sad decease has passed away". Published under the title The Memoirs of Margaret Fuller Ossoli, Fuller's words were heavily censored or rewritten. The three editors were not concerned about accuracy; they believed public interest in Fuller was temporary and that she would not survive as a historical figure. Even so, for a time, it was the best-selling biography of the decade and went through thirteen editions before the end of the century.
Walt Whitman published the innovative poetry collection Leaves of Grass in 1855 and sent a copy to Emerson for his opinion. Emerson responded positively, sending Whitman a flattering five-page letter in response. Emerson's approval helped the first edition of Leaves of Grass stir up significant interest and convinced Whitman to issue a second edition shortly thereafter. This edition quoted a phrase from Emerson's letter, printed in gold leaf on the cover: "I Greet You at the Beginning of a Great Career". Emerson took offense that this letter was made public and later was more critical of the work.
Civil War years
Emerson was staunchly opposed to slavery, but he did not appreciate being in the public limelight and was hesitant about lecturing on the subject. He did, however, give a number of lectures during the pre-Civil War years, beginning as early as November, 1837. A number of his friends and family members were more active abolitionists than he, at first, but from 1844 on, he took a more active role in opposing slavery. He gave a number of speeches and lectures, and notably welcomed John Brown to his home during Brown's visits to Concord. He voted for Abraham Lincoln in 1860, but Emerson was disappointed that Lincoln was more concerned about preserving the Union than eliminating slavery outright. Once the American Civil War broke out, Emerson made it clear that he believed in immediate emancipation of the slaves.
Around this time, in 1860, Emerson published The Conduct of Life, his seventh collection of essays. In this book, Emerson "grappled with some of the thorniest issues of the moment," and "his experience in the abolition ranks is a telling influence in his conclusions." In these essays Emerson strongly embraced the idea of war as a means of national rebirth: "Civil war, national bankruptcy, or revolution, [are] more rich in the central tones than languid years of prosperity."
Emerson visited Washington, D.C, at the end of January 1862. He gave a public lecture at the Smithsonian on January 31, 1862, and declared:, "The South calls slavery an institution... I call it destitution... Emancipation is the demand of civilization". The next day, February 1, his friend Charles Sumner took him to meet Lincoln at the White House. Lincoln was familiar with Emerson's work, having previously seen him lecture. Emerson's misgivings about Lincoln began to soften after this meeting. In 1865, he spoke at a memorial service held for Lincoln in Concord: "Old as history is, and manifold as are its tragedies, I doubt if any death has caused so much pain as this has caused, or will have caused, on its announcement." Emerson also met a number of high-ranking government officials, including Salmon P. Chase, the secretary of the treasury; Edward Bates, the attorney general; Edwin M. Stanton, the secretary of war; Gideon Welles, the secretary of the navy; and William Seward, the secretary of state.
On May 6, 1862, Emerson's protégé Henry David Thoreau died of tuberculosis at the age of 44. Emerson delivered his eulogy. He often referred to Thoreau as his best friend, despite a falling-out that began in 1849 after Thoreau published A Week on the Concord and Merrimack Rivers. Another friend, Nathaniel Hawthorne, died two years after Thoreau, in 1864. Emerson served as a pallbearer when Hawthorne was buried in Concord, as Emerson wrote, "in a pomp of sunshine and verdure".
He was elected a Fellow of the American Academy of Arts and Sciences in 1864.
Final years and death
Starting in 1867, Emerson's health began declining; he wrote much less in his journals. Beginning as early as the summer of 1871 or in the spring of 1872, he started experiencing memory problems and suffered from aphasia. By the end of the decade, he forgot his own name at times and, when anyone asked how he felt, he responded, "Quite well; I have lost my mental faculties, but am perfectly well".
In the spring of 1871, Emerson took a trip on the transcontinental railroad, barely two years after its completion. Along the way and in California he met a number of dignitaries, including Brigham Young during a stopover in Salt Lake City. Part of his California visit included a trip to Yosemite, and while there he met a young and unknown John Muir, a signature event in Muir's career.
Emerson's Concord home caught fire on July 24, 1872. He called for help from neighbors and, giving up on putting out the flames, all attempted to save as many objects as possible. The fire was put out by Ephraim Bull Jr., the one-armed son of Ephraim Wales Bull. Donations were collected by friends to help the Emersons rebuild, including $5,000 gathered by Francis Cabot Lowell, another $10,000 collected by LeBaron Russell Briggs, and a personal donation of $1,000 from George Bancroft. Support for shelter was offered as well; though the Emersons ended up staying with family at the Old Manse, invitations came from Anne Lynch Botta, James Elliot Cabot, James Thomas Fields and Annie Adams Fields. The fire marked an end to Emerson's serious lecturing career; from then on, he would lecture only on special occasions and only in front of familiar audiences.
While the house was being rebuilt, Emerson took a trip to England, continental Europe, and Egypt. He left on October 23, 1872, along with his daughter Ellen while his wife Lidian spent time at the Old Manse and with friends. Emerson and his daughter Ellen returned to the United States on the ship Olympus along with friend Charles Eliot Norton on April 15, 1873. Emerson's return to Concord was celebrated by the town and school was canceled that day.
In late 1874, Emerson published an anthology of poetry called Parnassus, which included poems by Anna Laetitia Barbauld, Julia Caroline Dorr, Jean Ingelow, Lucy Larcom, Jones Very, as well as Thoreau and several others. The anthology was originally prepared as early as the fall of 1871 but was delayed when the publishers asked for revisions.
The problems with his memory had become embarrassing to Emerson and he ceased his public appearances by 1879. As Holmes wrote, "Emerson is afraid to trust himself in society much, on account of the failure of his memory and the great difficulty he finds in getting the words he wants. It is painful to witness his embarrassment at times". On April 21, 1882, Emerson was found to be suffering from pneumonia. He died six days later. Emerson is buried in Sleepy Hollow Cemetery, Concord, Massachusetts. He was placed in his coffin wearing a white robe given by the American sculptor Daniel Chester French.
Lifestyle and beliefs
Emerson's religious views were often considered radical at the time. He believed that all things are connected to God and, therefore, all things are divine. Critics believed that Emerson was removing the central God figure; as Henry Ware Jr. said, Emerson was in danger of taking away "the Father of the Universe" and leaving "but a company of children in an orphan asylum". Emerson was partly influenced by German philosophy and Biblical criticism. His views, the basis of Transcendentalism, suggested that God does not have to reveal the truth but that the truth could be intuitively experienced directly from nature. When asked his religious belief, Emerson stated, "I am more of a Quaker than anything else. I believe in the 'still, small voice,' and that voice is Christ within us."
Emerson did not become an ardent abolitionist until 1844, though his journals show he was concerned with slavery beginning in his youth, even dreaming about helping to free slaves. In June 1856, shortly after Charles Sumner, a United States Senator, was beaten for his staunch abolitionist views, Emerson lamented that he himself was not as committed to the cause. He wrote, "There are men who as soon as they are born take a bee-line to the axe of the inquisitor. . . . Wonderful the way in which we are saved by this unfailing supply of the moral element". After Sumner's attack, Emerson began to speak out about slavery. "I think we must get rid of slavery, or we must get rid of freedom", he said at a meeting at Concord that summer. Emerson used slavery as an example of a human injustice, especially in his role as a minister. In early 1838, provoked by the murder of an abolitionist publisher from Alton, Illinois named Elijah Parish Lovejoy, Emerson gave his first public antislavery address. As he said, "It is but the other day that the brave Lovejoy gave his breast to the bullets of a mob, for the rights of free speech and opinion, and died when it was better not to live".John Quincy Adams said the mob-murder of Lovejoy "sent a shock as of any earthquake throughout this continent". However, Emerson maintained that reform would be achieved through moral agreement rather than by militant action. By August 1, 1844, at a lecture in Concord, he stated more clearly his support for the abolitionist movement: "We are indebted mainly to this movement, and to the continuers of it, for the popular discussion of every point of practical ethics".
Emerson is often known as one of the most liberal democratic thinkers of his time who believed that through the democratic process, slavery should be abolished. While being an avid abolitionist who was known for his criticism of the legality of slavery, Emerson struggled with the implications of race. His usual liberal leanings did not clearly translate when it came to believing that all races had equal capability or function, which was a common conception for the period in which he lived. Many critics believe that it was his views on race that inhibited him from becoming an abolitionist earlier in his life and also inhibited him from being more active in the antislavery movement. Much of his early life, he was silent on the topic of race and slavery. Not until he was well into his 30s did Emerson begin to publish writings on race and slavery, and not until he was in his late 40s and 50s did he became known as an antislavery activist.
During his early life, Emerson seems to develop a hierarchy of races based on faculty to reason or rather, whether African slaves were distinguishably equal to white men based on their ability to reason. In a journal entry written in 1822, Emerson wrote about a personal observation: "It can hardly be true that the difference lies in the attribute of reason. I saw ten, twenty, a hundred large lipped, lowbrowed black men in the streets who, except in the mere matter of language, did not exceed the sagacity of the elephant. Now is it true that these were created superior to this wise animal, and designed to control it? And in comparison with the highest orders of men, the Africans will stand so low as to make the difference which subsists between themselves & the sagacious beasts inconsiderable."
As with many supporters of slavery, during his early years, Emerson seems to have thought that the faculties of African slaves were not equal to their white owners. But this belief in racial inferiorities did not make Emerson a supporter of slavery. Emerson wrote later that year that "No ingenious sophistry can ever reconcile the unperverted mind to the pardon of Slavery; nothing but tremendous familiarity, and the bias of private interest". Emerson saw the removal of people from their homeland, the treatment of slaves, and the self-seeking benefactors of slaves as gross injustices. For Emerson, slavery was a moral issue, while superiority of the races was an issue he tried to analyze from a scientific perspective based what he believe to be inherited traits.
Emerson saw himself as a man of "Saxon descent". In a speech given in 1835 titled "Permanent Traits of the English National Genius", he said, "The inhabitants of the United States, especially of the Northern portion, are descended from the people of England and have inherited the traits of their national character". He saw direct ties between race based on national identity and the inherent nature of the human being. White Americans who were native-born in the United States and of English ancestry were categorized by him as a separate "race", which he thought had a position of being superior to other nations. His idea of race was based more on a shared culture, environment, and history than on scientific traits that modern science defines as race. He believed that native-born Americans of English descent were superior to European immigrants, including the Irish, French, and Germans, and also as being superior to English people from England, whom he considered a close second and the only really comparable group.
Later in his life, Emerson's ideas on race changed when he became more involved in the abolitionist movement while at the same time he began to more thoroughly analyze the philosophical implications of race and racial hierarchies. His beliefs shifted focus to the potential outcomes of racial conflicts. Emerson's racial views were closely related to his views on nationalism and national superiority, specifically that of the Saxons of ancient England, which was a common view in the United States of that time. Emerson used contemporary theories of race and natural science to support a theory of race development. He believed that the current political battle and the current enslavement of other races was an inevitable racial struggle, one that would result in the inevitable union of the United States. Such conflicts were necessary for the dialectic of change that would eventually allow the progress of the nation. In much of his later work, Emerson seems to allow the notion that different races will eventually mix in America. This hybridization process would lead to a superior race that would be to the advantage of the superiority of the United States.
Emerson was a supporter of the spread of community libraries in the 19th century, having this to say of them: "Consider what you have in the smallest chosen library. A company of the wisest and wittiest men that could be picked out of all civil countries, in a thousand years, have set in best order the results of their learning and wisdom."
Emerson may have had erotic thoughts about at least one man. During his early years at Harvard, he found himself attracted to a young freshman named Martin Gay about whom he wrote sexually charged poetry. He also had a number of romantic interests in various women throughout his life, such as Anna Barker and Caroline Sturgis.
As a lecturer and orator, Emerson—nicknamed the Sage of Concord—became the leading voice of intellectual culture in the United States.James Russell Lowell, editor of the Atlantic Monthly and the North American Review, commented in his book My Study Windows (1871), that Emerson was not only the "most steadily attractive lecturer in America," but also "one of the pioneers of the lecturing system."Herman Melville, who had met Emerson in 1849, originally thought he had "a defect in the region of the heart" and a "self-conceit so intensely intellectual that at first one hesitates to call it by its right name", though he later admitted Emerson was "a great man".Theodore Parker, a minister and transcendentalist, noted Emerson's ability to influence and inspire others: "the brilliant genius of Emerson rose in the winter nights, and hung over Boston, drawing the eyes of ingenuous young people to look up to that great new star, a beauty and a mystery, which charmed for the moment, while it gave also perennial inspiration, as it led them forward along new paths, and towards new hopes".
Emerson's work not only influenced his contemporaries, such as Walt Whitman and Henry David Thoreau, but would continue to influence thinkers and writers in the United States and around the world down to the present. Notable thinkers who recognize Emerson's influence include Nietzsche and William James, Emerson's godson. There is little disagreement that Emerson was the most influential writer of 19th-century America, though these days he is largely the concern of scholars. Walt Whitman, Henry David Thoreau and William James were all positive Emersonians, while Herman Melville, Nathaniel Hawthorne and Henry James were Emersonians in denial—while they set themselves in opposition to the sage, there was no escaping his influence. To T. S. Eliot, Emerson's essays were an "encumbrance." Waldo the Sage was eclipsed from 1914 until 1965, when he returned to shine, after surviving in the work of major American poets like Robert Frost, Wallace Stevens and Hart Crane.
In his book The American Religion, Harold Bloom repeatedly refers to Emerson as "The prophet of the American Religion", which in the context of the book refers to indigenously American religions such as Mormonism and Christian Science, which arose largely in Emerson's lifetime, but also to mainline Protestant churches that Bloom says have become in the United States more gnostic than their European counterparts. In The Western Canon, Bloom compares Emerson to Michel de Montaigne: "The only equivalent reading experience that I know is to reread endlessly in the notebooks and journals of Ralph Waldo Emerson, the American version of Montaigne." Several of Emerson's poems were included in Bloom's The Best Poems of the English Language, although he wrote that none of the poems are as outstanding as the best of Emerson's essays, which Bloom listed as "Self-Reliance", "Circles", "Experience", and "nearly all of Conduct of Life". In his belief that line lengths, rhythms, and phrases are determined by breath, Emerson's poetry foreshadowed the theories of Charles Olson.
- In May 2006, 168 years after Emerson delivered his "Divinity School Address", Harvard Divinity School announced the establishment of the Emerson Unitarian Universalist Association Professorship. Harvard has also named a building, Emerson Hall (1900), after him.
- The Emerson String Quartet, formed in 1976, took their name from him.